| The Jazz Composers Forum is a
non-profit organization, dedicated to the presentation and
documentation of original instrumental jazz music. The Forum's
objective is to organize an environment where creative compositions and
improvisation can be explored free from distractions, while forming an
intimate and educational musician/audience relationship.
Since it inception in the Fall of 2001,
the forum has strived to construct an environment where participating
artists can express their ideals of creating and risking through the
development and exploration of new music, while providing an
opportunity for the general public to attend inexpensive concerts.
Through our concert series, which features regional and nationally
acclaimed jazz composers, we have connected with a large audience
within the Western North Carolina area. Our mailing list, which is
continually updated, has been compiled through sign-up sheets, people
calling or writing us directly, and by the musicians themselves. It has
come to include a wide range of listeners, a significant portion of
which have rarely heard modern jazz. The rest of the listeners are an
even mix of jazz enthusiasts, musicians, students, and the curious. All
concerts to date have been presented in numerous places including,
Zambras' Wine and Tappas Bar, The Left Bank Restaraunt, Asheville
Community Theatre, The Blowing Rock Jazz Society, Appalachian
University, UNC-Charlotte, UNC-Asheville's Concert on the Quad Series,
Claxton Elementary School and The Cafe on the Square.
The format of our presentations is
flexible, however our current program presents a monthly concert series
that features new works of rising and established jazz composers from
regional and national areas. Each concert is organized in a two-set
performance, one presenting works from a composer in residence and one
presenting works from a guest artist/composer. Upon the conclusion of
each performance the composers become available for an informal
discussion which aims to explain their works, educate the listener, and
build a mutually beneficial dialogue between musicians and audience
members. Through this open discussion we hope to create an awareness of
the rich musical heritage we share in the incredible American art form
known as jazz. Each performance is recorded by a professional and is
made available to our audience upon request.
The impetus to organize such a forum stems
from the need to create and risk. There is a pervasive feeling among
our constituents that in such a highly profit-driven and competitive
industry, much of the artistic integrity of the contemporary composers
and musicians must sometimes be sacrificed in order to fill the demands
for "sellable" material. The forum hopes to address this imbalance by
becoming less and less reliant on the industry in order to achieve our
goals. Following a long line of similar musician-run organizations such
as Arnold Schoenberg's "Society for Private Musical Performances",
Charles Mingus' Jazz Composers Workshop, and The New York Jazz Composers Collective and a new organization The Brooklyn Jazz Underground we believe that such a concentrated creative effort can only serve to
foster a continually growing interest in what is essentially "America's
classical Music".
The forum has and will continue to be
vital and evolving arena for the creation, exploration, and sharing of
new music by up-and-coming composers with an ever broadening and
diverse audience. As Beekman Cannon states in "The Art of Music", "The
musician's perception of the world will be conditioned by the
intellectual and spiritual climate of his day and this in turn will be
reflected in his style. The style of a work of art thus enables us to
understand the spirit and ideals of the past." By reflecting on and
learning from the past, taking action in the present, and innovating
for the future, we hope to contribute to this vast American musical
hertiage known as jazz.
There's suddenly a lot of pressure
to do music from 'in the tradition'. But the truest homage to Charlie
Parker, for example, isn't to play his tunes or play just like him, but
to...play something new that wouldn't be possible without Charlie
Parker's example. The most vital contribution you can make to
furthering the jazz tradition is to create your own music, create a new
music.
Scott Yanow, Jazz Writer
To book the Composers in Residence Band or
one of our guest composers for your event, or to book a Master Class, contact us.
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